The Depths of Human Suffering

The Depths of Human Suffering


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Once in Concord, you are drafted to defend a “hey, this sounds like a Massachusetts kind of thing!” Freedom Museum against some raiders. You meet some survivors, including a member of the self-anointed Minutemen, the glucotrol kaufen Fallout equivalent of Wasteland‘s Desert Rangers. These are the best analogues to a peacekeeping force the apocalypse has, but here the raiders are too strong and too numerous. Luckily, there’s a suit of power armor on the roof that needs a fusion core, which you — The Hero — are the only one who can retrieve.

The power armor is pretty awesome, allowing you to take way more damage than you normally could with just your Vault-Tec Brand Jumpsuit. And you get a minigun! Mowing down the bandits has never been easier; mowing down a fucking Deathclaw, however, is no walk in the park. I died once when the thing surprised me, so I bumped down the difficulty (even with the minigun I wasn’t doing enough damage to outlast my ammo supply) and he still managed to take a good beating before giving up the ghost.

In no uncertain terms, Fallout 4 lets you know that your path is not a linear one when the survivors want you to escort them back to your old neighborhood. One of their members has “visions”, and claims that this “Sanctuary” is where they’ll find peace. So you head out there, get a history lesson on the way (edugaming!), and end up being put to work crafting beds for this new “settlement”.

That’s about as far as I got with the time allotted to me for that session.

The punchline in discussions always seemed to be about how much crap you can collect. Like Skyrim and Fallout 3 before it, if it’s not nailed down, you can take it. And you should take it, because Fallout 4 has an awesome crafting system. There’s a kind of “upgrade-duplication” system which allows you to take an item you have already and modify it for better stats. This gives you a new item, leaving you with the original item. I suppose in this regard it’s like a blueprint that you can dismantle once you’re done. Then there’s the settlement construction kit, which allows you to build parts of buildings, furniture, amenities, and even shops. Along the way you’ll need to construct generators and defenses, because bad guys don’t respect non-lethal boundaries. Unlike other game systems, the crap you carry around doesn’t need to be dismantled in order to get at the raw materials. The goods provide whatever common-sense materials you might need for a specific purpose, like screws from a desk-fan. This takes a lot of the tedium of crafting out the equation, but it also turns into a mad scavenger hunt for anything and everything you can collect.

I still suck at the combat, though. Sometimes I was able to hit targets at a good distance, but once they’re in my personal space, I’m flailing around like an idiot trying to A) find them, and B) hit them. Thankfully you get Dog early on. He/she is a great early warning system, tanking pet, and will notify you of interesting caches of more junk for you to take. He/she can’t die; he/she did go down in the second Deathclaw fight, but a stim injection got him/her up and moving again. I have to remember to always have a stim on reserve for Dog, though.

One fun hobby is breaking into things. I “cracked” my way into a terminal in a home in my neighborhood and found out that this guy was a drug-dealer. He also left a clue about a safe hidden in another house under a dresser, but I couldn’t easily ID the house in question, and didn’t find the safe. But being a Bethesda game, I know that this is no idle window-dressing. It’s a reward for taking the time to work through this super-side mission that I’m sure a lot of people might not even bother with. And there’s also the lockpicking system, familiar to players of Skyrim and possibly Fallout 3 (I don’t recall).

The models and animations are still just left of normal. At least they now switch camera between the speaker and yourself, so you’re not just mutely passing conversation cards to the other person. After a zone transition, though, one of the NPCs was seen holding a rifle…but the rifle wasn’t there. The pathing was also kind of wonky, with these NPCs I was escorting to Sanctuary getting stuck on sandbags, fallen lamp posts, pieces of paper, you name it. Fortunately, once they get out of range of the group they’re supposed to be in, they find the intelligence to teleport to where they should be. And Dog is kind of spastic, scaring the shit out me as he bolted past on more than one occasion.

And finally there’s the setting itself. It’s as expected: really brown, really desiccated, and super-depressing. The default soundtrack, while great, enhances whatever feeling of dread and sorrow that the landscape invoked. I tried using the Pip-Boy radio, but it obscured the environmental queues and I was jumped by some nuclear molerats at the service station. It’s a heavy setting. I think it bothers me because unlike high fantasy worlds or games set on far flung worlds of high-technology, the settings in Fallout 4 could really exist. In some places in the world, they do exist. I make light of the need and opportunity to scrounge for materials, but this is really the kind of thing that could (and for some, does) happen for real. I’m hoping that at some point the “game-ness” of the game overtakes the visuals, but having played a good amount of Skyrim and never not being in awe of the landscape, I don’t anticipate that being the case.