I want to apologize for cramming Ubi and Sony into one post, but I wanted to strike while the iron was hot and not drag these thoughts out before I forget what I’m talking about (too late!)
I actually missed a good portion of Ubi’s presentation because they started during my commute home, and no offense to the good work that the company does, but my getting the hell out of the office takes precedence over pretty much anything. I’ll catch up on the highlights later, but it looks like I missed out on the Nintendo/Rabbids crossover that many people are comparing to the recent treatments of XCom. I do not consider that to be a bad thing.
They also talked about — what else? — Assassin’s Creed. After yesterday’s dismissal of the franchise en toto I was linked a video by the Unstoppable PapaSnark regarding several new or revised features in the franchise assumed from the AC trailer. If the examination was correct, even in part, then I think several of my gripes about the series might be addressed. As stated, I’ve moved this game from a “hell no” to a “we’ll see”.
I came into the presentation during The Crew 2, which is about driving cars, boats, and planes.
Then stuff got weird. There was some Elijah Wood presentation for a VR title called Transference, but the video was too artsy to provide any real substance.
In keeping with the theme of E3 2017, there was a pirate-themed game called Skull & Bones. At first, it looked like a really cool PRPG (pirate aarrgh Pee Gee) but quickly devolved into a 5v5 PvP battle over booty. As stated on Twitter, it reminded me of a high-seas version of the spaceship battle game Dreadnaught, which is available now for those who can’t wait.
From the “no one saw that coming” department, Starlink: Battle for Atlas gave off a serious No Man’s Sky vibe, but with a twist: the trailer showed people playing the game with plastic spaceships attached awkwardly to their gamepads. These toys required them to swap out components like guns, missiles, or engines to have the change reflected within the game itself. Some people called it No Man’s Skylanders, while others attempted to smack Ubi in the head to let them know that unless you’re Nintendo, the era of toys-in-games is grinding to a halt.
And then there was FarCry 5. I have played a few FC games and I like ’em OK. There’s always something to do, but for me, having too much to do is a curse because I have trouble focusing on anything. In the wake of The Division and even Ghost Recon: Wildlands, and in the hopes that Assassin’s Creed Origins changes up its own game, I’d like to see some deviations from the traditional FC formula here. The trailer looked good.
Finally, Ubi surprised everyone by presenting a trailer for the long-awaited sequel to cult favorite Beyond Good & Evil that was teased several E3 ago. I have never completed the original because the controls are so gawdawful that I wanted to throw my PC across the room, but I’ve always enjoyed the unique world of BG&E in which humans and genetically engineered and sentient animals travel freely between the stars. It has a certain cyberpunk vibe but without the contrived magickal overhead of the equally off-kilter world of Shadowrun.
E3 always comes down to Microsoft versus Sony in a good natured “who won” discussion on the Internet, and while you might think that presenting second would give Sony time to one-up Microsoft’s event…well…They spent a lot of time talking up their own 4K abilities, which after the XBX announcement sounded like someone at the back of the crowd talking really loud in an effort to remind everyone that they were still present.
The first two presentations were for Knack II, a sequel to a game that I’ve only ever heard about from one person who has played it, and for — get this — a second screen initiative called PlayLink. The idea is that one person gets the gamepad and other people in the room get a smartphone/tablet app that allows them to interact with the game in a non-direct control scenario. The interesting game they demoed was called Hidden Agenda which looked like a story-based game where PlayLink users could “vote” on key decisions on behalf of the player. I blame the “Twitch Plays X” for this crowd-control focus. Other games showed that use this tech were more in the traditional “party game” vein because those games are traditional cash-cows, right? The second screen concept never really took off, so it’s kind of a head-scratcher as to why Sony decided to take this route. Still, it’s inconsequential, and doesn’t require any new hardware, so what’s the harm?
Speaking of buying new hardware, Sony devoted some time to VR games, and I can’t say that I’m overly excited. The big reveal for me was Skyrim VR. Bethesda announced a Doom and Fallout 4 VR, but didn’t say anything about Skyrim which seemed like an obvious oversight, but had apparently ceded that info to Sony. Do I want to play Skyrim all over again? Well… Do I want to play Skyrim VR? HELL YES I DO. Superhot made an appearance during this segment, but it’s already VR-enabled on the PC so it’s nice to see it coming to PS4. Final Fantasy XV made an appearance but as a…wait…what? A fishing game? Then came the head-tilted-sideways-with-eye-squint titles. Bravo Team is a military shooter (which I might write about on its own), Starchild is a platformer, and a cute game called Moss is about a small mouse with a magical gauntlet that can turn into a sword who makes her way through a diminutive world in search of something. Sadly, it looks like Sony is already sawing at the ropes that secures the VR bridge over the peripheral graveyard.
The good news is that Sony still had a lot of big-ticket Sony games to show.
First, Uncharted: The Last Legacy featuring the incendiary duo of Chloe and Nadine from previous Uncharted games. This was not a surprise, but since it’s dropping this year it made sense for Sony to include it in the face of so many 2018 titles.
Destiny 2 got it’s Sony-money’s worth by being featured, complete with a rundown of what exclusives you get if you buy and play on PS4. I have it pre-ordered on PC, lag time be damned.
We got to see more on that zombie game Days Gone. Previously we’d been treated to technical showcases in which hundreds of procedurally generated undead canvassed a small farm while the protagonist raced across rooftops. This time we learn that humanity has formed enclaves (of course) and ventures forth amidst the zombie hoards for supplies and such. Not all enclaves are trying to bring humanity back; some are, of course, despotic and filled with assholes, and this demo saw the protagonist, Jeanjacket McMotorcycleStubble, using the environment (read: zombies) to overrun an enemy camp to rescue one of his friends. The game looked great and could be a really cool adventure style game. Except, zombies.
Horizon: Zero Dawn is getting DLC, and water is wet. I’m not ragging on this, only saying that they could have just said “Horizon: Zero Dawn!” on stage and people would have thrown money. I suppose I should get back to that and finish the game.
Skimming a few other things: Monster Hunter World is a thing that people like, and now they can like it on PS4. I know nothing of this franchise, except that you hunt monsters. Large, large monsters. Shadow of the Colossus is getting a remaster, Marvel vs Capcom is also a thing people like, and surprise! Call of Duty: World War II.
Now, what caught my eye: There’s a new God of War game which, as seems to be the Sony trend this year, looks to include some really great cinematic story and is not just room-to-room hack and slash. I might make this my first GoW game because it looked great. One of the wildcards from last year’s E3 (or maybe it was in between) was a game called Detroit: Become Human. This is from the people who made the games Heavy Rain and Beyond: Two Souls, which are both narrative heavy, action light decision tree games. This one is set in a future Detroit where androids are created to do the dirty work, but then some “awaken” and get minds of their own. You are one of those androids and have to make moral decisions regarding the relationship between humans and your kind.
Finally, there was Spider-Man. Now, I am not a Spider-Man fan, really. I like the character the way I like yogurt; I would never seek it out, but if it’s around and I’m hungry, it’ll do…but barely. Visually, this game was amazing. The animations were mind-blowing, and the effects (especially the webbing) were top-shelf. In the heat of the moment, I mentioned that I could get behind this game because it seemed like there was just so much Spidering to do! In retrospect, while the visuals were great, the gameplay seemed to be less open-world and more QTE interrupted by occasional brawling action. Now, like all E3 presentations, this is really just a controlled event that we understand doesn’t necessarily represent the entire experience, but whereas a Spider-Man game might have immediately caused me amnesia upon announcement, I might keep an eye on this for more information.
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Normally when I don’t post anything it’s because of a general blogging malaise (bloglaise?) but this week it’s because I’ve been both forgetful and super busy.
Battletech Backer Beta
I haven’t played Battletech proper in maybe 20 years or so but it’s a franchise that’s always been at the top of my lists of Franchises I Love. I owned the original box set, read the Technical Manual until it literally fell apart (I rebound it with string), read all the Stackpole books, and even drew a game board on my parent’s concrete basement floor so my brother and I could play with our Transformers. As Time does, I found myself with less time to play, and fewer people to play with during the Dark Ages between when I was in high school and when the Internet became a viable way to meet up with folks. I played the Mechwarrior games on PC, and tried Mechwarrior Online a few times but the random nature of other people’s play styles didn’t do it for me. I wanted the old-school Battletech lance-vs-lance tactical gameplay again, so while I bought the Anniversary Edition box set a few years ago (never played), I was all over the new Battletech game from Harebrained Schemes, helmed by the originator of the BT franchise, Jordan Weiss.
The KS backer beta arrived last weekend (when I was stricken with the plague), but I’ve only played two rounds so far of the single player game. If you have been waiting for an honest BT implementation, this is your candidate. Even though there’s obviously work to be done in several places, the game is playable. I have yet to win a game, having lost my second round to an armless enemy who headbutted my center torso to death. Still, it instantly brought back long-ago memories of all of the variations of Battletech that I had played, which means that it’s the real deal as far as I am concerned.
Motion Graphics Update
I have no fewer than two consecutive posts about my motion graphics learning, prior to this post. Since that last update, I’ve done almost nothing with it. Looking back on the initial attempts I realize that I have a long way to go in being able to create something to be proud of, but even attempting to use the things that I have made, I’ve come to the conclusion that I’m not sure I have an actual need for this.
I might keep it around for a while, but I haven’t continued with the video lectures since last week. I might need some of the other software that comes with my Adobe CC subscription, but $50 a month is a real headache just for eventualities.
Wombatical! The Wombats Get Serious About Streaming
The Big News, then, is that since Imzy closed down and a few of us moved over to the Combat Wombat Discord server, we’ve been a lot more active as a community. The real-time nature of Discord is great for communication, but not so great for other productivity, and is part of what’s kept me from updating this site.
See, in the wake of the migration, several folks have decided that they would really like to get into streaming. We had evaluated Mixer (formerly known as Beam) for its low-latency and co-streaming functionality, but several folks weren’t convinced that Mixer was set up to accomplish all of the same things that Twitch could in terms of features and moderation. While it might be easier for smaller streamers to get noticed on Mixer due to the lower population there, it might also suffer from a lower population because people are so mentally invested in the idea that Twitch is where people need to be if they want to take the hobby of streaming seriously (at least as seriously as far as getting viewers goes). Several people outside our circle have even been heard remarking that they would refuse to watch a live stream unless it was on Twitch.
Needless to say, several of the Wombats have now been testing the streaming waters on Twitch. So far Stargrace has been attempting to stick to a schedule when the real-world isn’t making demands, and Girl_vs_MMO has been working around her own real-life schedule to get some streaming time in, and Arislyn has popped in from time to time as reality allows.
I have yet to get online, myself. Instead, I’ve been preparing. Lots of preparing. Like…a shitload of preparing. I considered whether my preparations were really just delaying tactics or whether they were actual steps that would help me make a smooth yet entry-level attempt…whenever I got around to pushing the button. I upgraded by webcam to the c922, which has the background removal (sans green-screen) built in. The verdict: works OK, but it all depends on — wait for it — lighting. Not sure if I’ll use that feature or not. I also have the Stream Deck, whose Twitch integration isn’t really all that great when you get down to it. The weapons of choice for enhancing the streams have been narrowed down to two: Ankhbot, which is a desktop app which allows for all kinds of stream management options, and Streamlabs, which handles certain remote notifications (followers, subs, hosts, etc) and handles donations for Extra Life, which we do. In addition, I’ve found a “theme” for my channel that I think I’m happy with, reflecting my love of space, sims, and space-sims.
Now, to find the time to actually get out and stream…
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Now that our deck has been completed, we’re spending more time outside than in. For me, this is a blessing and a curse; I am not made for the out-of-doors, but I’ve also not really been “feelin’ it” when I sit down to play something. I need to get back to the PSVR games I have, and also the non-VR PS games I have (including the upcoming Marvel Heroes translation for the PlayStation).
Saturday was spent mostly doing yard work. I have to dismantle the old stairs leading up to the original deck, so I did a bit of that. We also carved out a small garden section at the foot of the new deck stairs, so we had to get plants and mulch for that. I’m never more reminded of my housebound status than when I try and do intense yard work, and this was one of those cases.
Sunday we spent at the in-laws, celebrating a belated Mother’s Day because scheduling conflicts prevented us from doing so on the actual day. There’s really not a lot more to say about that.
Honestly, this is going to be the last dedicated post on the subject you’ll get from me. I am now officially defeated by the Elgato Stream Deck.
A lot of folks on /r/elgatogaming and elsewhere have said that they’ve been using the ‘Deck in conjunction with a utility called Auto Hotkey. This app is designed to allow users to write scripts that listen for special key combinations, which can then trigger actions such as adjusting your OS volume or taking screenshots and posting them to Dropbox. Because AHK works at a level which allows it to interact with a whole range of applications (when running as Admin), the plan is that Stream Deck can send these scripted hotkeys into the aether where they are picked up by AHK, which can then do what Stream Deck cannot: send keys to the focused apps.
As a developer by day, I’m open to the nuances of whatever scripting language you want to use, and AHK isn’t all that complex. I created a script which checks for Elite Dangerous and if it’s running, execute whatever key combo was sent. I managed to translate a chord into the game command to turn on my ship’s headlights, and that works…but nothing else does. The lights work 100% of the time, but everything else works anywhere between 0% and 2% of the time. That 2% is something that I’d seen people talking about: how the ‘Deck doesn’t always send commands on the first, second, or even 10th press of the button, but might consider doing so somewhere down the line. I had entertained the idea that my script was bad, but I’d tried several variations on the theme and recevied the same non-results every single time.
I made cool keys and everything! 🙁
Right now, I’ve given up on trying to make this thing do what I want it to do. Obviously, all of the OBS stuff works because that has a dedicated pipeline to speak through. I can launch apps like Elite Dangerous and its utilities, and I did manage to wire up the Windows Game Bar commands which is a good thing because it has a screenshot function that works on anything you tell it is “a game”. I also managed to get it to work with Discord so I can mute and deafen audio in the voice channels, although I’d love direct Discord integration so I could switch servers and even rooms using the ‘Deck. I also have buttons that control my OS volume, but that’s about all. Really, the screenshot, Discord, and OS volume buttons are the only regular commands this thing is going to send, making it a very expensive paperweight.
I hope Elgato opts to make it more of a universal app that does what Logitech and Razer, et al., can do, although given that their wheelhouse is dedicated to streaming, I don’t know if it’s in their interests to update it to do more than what little it’s meant to do: control your live stream.
Ghost Recon: Wildlands
As of right now (May 22, 2017), Humble Bundle has Ghost Recon: Wildlands on sale for 20% off. I saw this deal and sent it out to friends who have been happily subsisting on The Division Underground missions for the past several months.
I received GR:W for free with my video card, and aside from using it to put the card through its paces, I’ve not played it much. It’s not a soloist game, despite having a squad of NPC soldiers backing you up. GR differs from The Division in that GR games tend to be way less forgiving when you’re getting shot. When you finally make it to cover, then, the system is calling in wave after wave of reinforcements.
Teabagging Unidad corpses
I played it last night with my brother, and Mindstrike, and we learned a few things. First, you die quickly and often. Second, if you’re attacking a cartel-held property, kill everyone quickly or else you’ll be there forever and will probably find yourself back at point one. Third, there’s no coherent line-of-sight between where you start and where you need to go. We tried to figure out our next step in the narrative but ended up picking some of the worst random locations for new players to take on.
Still, it was fun. More fun with real people. I’m hoping more people snag the game before the sale ends, because I burnt out on The Division a long time ago, and would like to play something with people again.
This is my role in the team.
Endless Space 2
Endless Space is one of my favorite 4x games. Like all of them, however, I have never actually completed a scenario. Still, it served as inspiration for several features of my ill-fated “Project Universe” because I really like the way Amplitude approached the game.
Wandering through the stacks at Steam storefront, I literally stumbled across Endless Space 2. I think I knew this was A Thing, but like many things these days it fell off my radar.
I watched the videos on the store page and decided that ES2 was a solid follow up game. It seems that Amplitude has included a lot of cool new features, not the least of which are the addition of probes instead of scouts, a need to to research FTL technology to get beyond your meager local neighborhood, and a galactic “auction house” which allows you to buy and sell technology and ships for Dust, the game’s mysteriously magical currency.
I haven’t yet fired it up, but I’m looking forward to it. Amplitude is really an under-the-radar strategy developer (Endless Space, Dungeon of the Endless, Endless Legend, and other Endless universe games) that does consistently good work that I enjoy.
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Following on the heels of Wednesday’s post on the Elgato Streamdeck, I managed to get some time with it this Thursday and wanted to offer some initial impressions.
Nicely packaged: cradle, stand, and manual.
First, the device is solidly made. It’s basically a block with overly-glossy keys, none of which feels flimsy in the least. When not plugged in, it doesn’t look like much, but when it’s receiving power the keys are backlit with the Elgato logo spread out across the center buttons. The keys are nice and bright, but unfortunately not bright enough to overcome a harsh glare at certain angles, depending on where your local light sources are at. The deck itself can be removed from the desktop stand which may have some uses for enterprising modders out there. The stand itself, though, gets some props for innovation: it’s sporting a two-stage support system. The cradle portion lifts up on a front hinge, and you can extend either the back of the cradle to sit in the base for a more upright position or use two smaller side supports to raise the cradle up to a lesser angle, making it more keyboard-esque. However, the pins used to keep the supports in place are small and I can see them snapping off at some point in the future. I have found that in my setup, the more acute angle works best to avoid key glare, but also put the keys at an angle such that each key is slightly more difficult to see.
The removable deck and cradle
Setup was super easy: install the software (Windows 10 and Mac Whatever only) and plug in the device. Hopefully, you have a nearby USB port because the cable is shorter than what you’d expect from a lot of desktop peripherals and is non-detachable (i.e. can’t swap it with a longer cable).
I’m a software guy, and I love playing around with configuration software so the management utility for the Streamdeck might be one of the easiest I’ve used. The main window features 15 slots representing each of the buttons. On the right side, you have a series of commands that you can assign. Simply drag a command to a button, and you’re about 90% of the way done. Depending on the button, you’ll have some settings you can mess around with. For example, the OBS integration allows you to drag a “Scene” action. In the button properties, you select which Scene in your running copy of OBS you want that button to trigger. The updates are in real time, so as soon as you place the button in the software, it shows up on the physical device. You can also change the icon (some of which have lit and faded states to show which one is active among those it recognizes as being mutually exclusive, like OBS scenes) and layer mutli-line text on the button. I learned that Elgato has a quick key icon creator on their website if you have images but no Photoshop or graphics experience. Like the settings app, this is really easy to use and I had a lot of fun making icons that I needed.
Live updating with default config
Unfortunately, this is where my enthusiasm starts to wind down, but I need to remind you that I didn’t buy this device for its intended purpose of augmenting my live stream control. I bought it to send commands to my games — something that I couldn’t get to work anywhere often enough.
It seems that Elgato has designed the software to be extremely specific in what it does and how it operates. Since the company focuses on streaming technology, their software heavily favors streaming tasks. It has support for Elgato’s own streaming software, OBS, Twitch, and only a few other services like Twitter. For local hooks, there are media control commands, app and website launchers, and hot key broadcasters. Even then, OBS requires a plugin so that the Elgato command software can communicate with it when another app has focus.
For use with OBS
I was mainly focused on using the hotkeys. I tried Elite Dangerous because that’s a game where having access to a lot of keys is something that will enhance the experience. For testing, though, I only created a new button and assigned it the Hotkey “1”. In Elite, this opens the left-side control panel for mapping, local targets, etc. It works when docked so I knew it would be something that I could do without having to leave my current station. Unfortunately, the game refused to acknowledge the key press. I know that the key was working, however, because I could open the chat entry box and see a string of “1”s whenever I tapped the button on the Streamdeck. I tried full-screen window mode, and full-screen mode (since some games are picky about that kind of thing) but nothing changed. I even tried the 32bit non-Horizons enabled version to no avail.
Ideally, for use with Elite Dangerous, but with fewer assignments.
Figuring I’d try something else, I booted up Guild Wars 2 and rebound my “1” key to the “B” key which would open the RvRvR standings window. Again, no luck. Again, I tried adjusting the window mode and verified that the key was working by activating the chat box and hitting the button.
Since the Streamdeck is brand-spankin’ new at this point, and since Elgato doesn’t maintain a community forum, I had to descend into the depths of *shudder* Reddit to find the /r/elgatogaming subreddit. Thankfully there was a Streamdeck “megathread” where people were talking about it, and I saw at least two people claiming that they had done exactly what I was trying to do. I asked one poster if he/she did anything specific to get it to work, but haven’t seen any replies.
On a whim, I loaded up The Elder Scrolls Online to test with the original GW2 “B” key button, and amazingly, it worked. At this point, I don’t think I’d done anything differently between the GW2 test and the ESO test. At an earlier point, I suspected that there might be something running on my system that was hijacking the input from the Streamdeck software since I’d experienced something like this in the past with audio. I shut down anything that I thought might handle key input like Plays.tv, my Logitech keyboard and mouse software, and even Steam and it’s overlay, but the results had been the same. I read that the Streamdeck software should be run as Administrator in order to be able to send keys to another app, but that didn’t seem to help either.
As it stands, the Elgato Streamdeck is at the “confounding” level on the “love it or leave it” scale. I’m not going to say “disappointing” because I suspect that there’s something standing in the way of what I am doing and what I want it to do that may or may not have anything to do with the Streamdeck or software themselves. I can tell you, though, if I can get it to work then I’ll quickly upgrade my assessment to “spectacular” because it’s an excellent piece of hardware. If they release an SDK or expand their software beyond the narrow focus on streaming (which may never happen due to Elgato’s market segment), or if more apps adopted the input hooks for it (Hey, Discord!), then its value would skyrocket. I don’t know that I’d suggest that everyone go out and buy one and experience an input Nirvana because unless you’re a moderate to hardcore streamer or use apps like Photoshop that have a lot of keyboard shortcuts, it seems that the Streamdeck’s operations are limited and pretty “fragile” in that they’re easy to interrupt.
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Now that I’ve committed to the PSVR, it’s time to justify the purchase.
I picked up Job Simulator earlier this week. It’s one of the highest rated commercial VR titles mainly because it showcases the “best case scenario” for presence and input. As a technology it’s great; as a game, it sucks because there are only a few scenarios, and then practically no replay value outside of having something on hand to watch your friends mime their way through when they experience VR for the first time. I’ve been vacillating on EVE Valkyrie because while the demo was pretty amazing, the full game is apparently a short tutorial followed by endless arena multiplayer battles — not something I’m known to gravitate to.
The “big news” (as in “what Sony is pushing at the moment”) is Farpoint. Sony apparently hopes that this is the tipping point for VR, getting it beyond the gimmicky hand-waving of Job Simulator and on the mantle alongside more popular AAA titles that the platform is known for. Overview-wise, Farpoint is standard fare: two scientists crash on a planet, and have to find a way home. Echoing Half-Life, these eggheads find themselves battling multi-legged creatures on their journey, something you, the player, accomplish with the help of a specially designed gun-like peripheral that comes with the deluxe version of the game, or which can be purchased seperately.
Yay! Giant alien spiders…in VR…my favorite…
When I’d first learned about Farpoint, I thought that this might be the foot in the door that VR needs to show people that it can do more than just handle endless demos showcasing elements of what the tech is capable of. The graphics look solid, and as a shooter, there’s no ambiguity here: point, shoot, progress. What made me scratch my chin in the universally accepted signal of “I dunno…” was the long and sad history of console peripherals.
Nintendo is probably the most eggregeous offender of creating dead-weight plastic, going all the way back to R.O.B., the Power Glove, and the VitualBoy (natch). Microsoft has Kinect, and until Sony wisely opted to repurpose it, they had the Move. Following closely behind is all of the third party junk that all consoles attract: charging stations, console enclosures, stands, and controller add-ons that will supposedly let you “dominate the competition”.
This history was why I had been hesitant to jump on the PSVR in the first place, although I’m the kind of person that once the idea has been planted and the means secured, no amount of convincing to the contrary is going to stop me from forging head. Farpoint was kind of different, though. I could buy the game digitally, as I am wont to do in my old age, but how necessary to the immersion was this gun peripheral? Th product itself looks like someone glued a bunch of PVC pipes together and then stuck a Move controller in the barrel (something which I’m sure we’ll see happen on YouTube once Farpoint launches, if it hasn’t happened already). Couldn’t I just use the Move controllers I have? Supposedly we can use the gamepad, but where’s the fun in that?
See? Once I convince myself…
It’s difficult to look like a badass when wielding something you made from one trip to Home Depot.
Inevitably I did pre-order the deluxe bundle, even with the specter of starting a new peripheral graveyard hovering just outside my vision. Heck, yesterday I bought a combo PSVR display stand-slash-charging station because the idea of just letting the headset sit on the entertainment center was anathema to me. Of course, Sony has gone on record about wanting/hoping/praying to some dark god that other developers will support the specialized controller, which means if it comes to pass means we’ll be getting a lot more shooters in VR on the PlayStation, I guess. You’re not going to see anyone using this for a fishing simulator, that’s for sure. I’d be OK with having a Battlefield in VR, or maybe another Killzone (though I’d rather have more HZD, as I’m sure most folks reading this would agree).
What might end up being the big question mark though would be this: if Farpoint and this peripheral sell well enough, what other specialized controllers should we expect to see? Ideally, the answer to that would be “none”, because I think there’s a tipping point; maybe this general purpose “gun” controller is a natural fit for a hobby where virtual shooting rampages are prevalent and acceptable, but once we start down a path of Power Glove 2.0 we’ll just be re-treading the paths that lead to dead ends in the past.
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Stellaris is a 4x Game of Unusual Size (4GoUS — F’go-us?) and like a lot of 4x games, no scenario is ever over quickly. I firmly believe that short of treating utter defeat as the first item on your to-do list, a single game will last for several hours whether you like it or not. Considering the point and the attraction of 4x games is the strategy of expansion and neighborly relations, you’d better like it.
Willfulness aside, it is possible to back yourself into a corner where the game becomes painfully difficult to the point where you might wonder if you’re looking down the barrel of an embarrassing defeat. For me, 4x games tend to devolve into an arms race where my neighbors know all the right levers to pull to get ahead, while I’m hanging out in my backyard tossing the football around without a care in the universe. That leads to people showing up on my doorstep with armaments that I can’t hope to defend against, and I inevitably end up losing.
Playing Stellaris last night I found myself behind the 8-ball in terms of resources. My energy budget was at 0 or occasionally in the red. Suddenly, my food supply tanked and we were living off rations. I had more than enough minerals, and while I wasn’t gaining influence, I wasn’t using it either. What all this means is that I had the minerals necessary to expand — to build ships and outposts and such — but I didn’t have the maintenance currency — energy — to keep it all running. That meant I was holding off on doing much of anything. Occasionally I’d get brave and would send construction crews out to other solar systems to construct outposts and mining platforms where I could score some additional energy income, but it was a balancing act: everything I built required upkeep, so I had to do ugh-math to ensure my projects would net more e-credit than they would cost.
About 15 minutes before I knew I had to shut down, lest I find myself unable to wake in the morning (I am immune to the dreaded “one more round” disease), I was looking into my food shortage. In Stellaris, planets are divided into tiles. Each tile is either empty, a natural producer of food, energy, minerals, or other resources, or is blocked. Your people (called “pops”) will be “born” or will migrate into open tiles. You can drag pops around to put them into tiles that you want them to work. My focus was on ensuring that all my food tiles were populated and that the farms in those tiles were sufficiently upgraded to the best produce-enhancer I could build.
Something wasn’t right. I was upgrading hydroponics labs in food tiles, but…there were tiles producing natural food which didn’t have hydroponics labs in them. Placing a machine in a tile with a matching resource type increases the output of that resource type. Here I was, starving and every-deficient because I hadn’t been placing even the most basic producer buildings on my natural resource tiles. I had been spending pretty much the entire game operating a growing empire with no more resource production than what I found laying around on the ground. That’s like operating a government funded only by the loose change found under seat cushions or in the street gutters.
Now, however, I have two other colonies which I need to start upgrading, but I have reached the food storage ceiling despite cranking out more crops. My neighbors have become belligerent and the diplomacy screen shows them as being technologically superior to me. I fear that my remembrance on how to play this game has come too late to save my ass, which wouldn’t be a bad thing necessarily as a looming defeat would allow me to start up a new game where I could do things correctly from the start.
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