VR – A Window On The Future

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VR – A Window On The Future

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For the real deal, you need to shell out some coin. I recently put together a VR-ready PC which cost me about $1300. If I were to add a VR setup, that would add another $600-$800 to that. These configurations are the Real Deal, though — 1080×1200 per eye which is roughly on par with the current desktop monitor standard of 1920×1080, the sum of which is 2160×1200. While anecdotes relate that a VR headset isn’t as clear as a really good monitor, those numbers are nothing to shake a stick at. Still, no amount of technobabble about resolutions and refresh rates and polling intervals and tracking metrics is going to mean anything to the bulk of potential users if there’s no compelling reason to shell out for the PC and headset.

Right now, software is lacking — in the consumer space. Looking through Steam (Vive and Oculus have their own walled-garden storefronts that I don’t think are accessible outside of the visor) shows that yes, there are a good number of games out there made for or which support VR, but there’s nothing that’s getting traction on the scale of Mass Effect: Andromeda or Playerunknown’s Battlegrounds. What people do know about VR software is usually due to early reports on the technology-focused “gee whiz” proof of concept demos that were made to showcase the tech: Job Simulator, Google Tilt Brush, and a lot of other products which might work well with the concept of VR, but which have that air of “get something out the door so as to be considered to have been a pioneer in VR”. Basically, there’s no killer VR game out there that’s going to silence the nay-sayers, or of the games that are out there, there isn’t one that feels like VR was a logical and the only best way to realize the concept. There is no end to the number of titles that people will throw out as “if only they had a game like [GAME X] in VR, I’d be sold!”, but we’re not at that point quite yet. Eventually, sure, assuming there’s a level of interest that makes VR in the consumer space a continuously viable option.

Consumers like to preach about things from the bottom of their narrow wells (helloooooooo?) but aren’t usually apprised of the whole situation. For example, VR is apparently massive in training, medicine, and therapy. It’s being used to train surgeons on techniques, and psychiatrists are using VR to help people cope with PTSD. Obviously from our perspective here at LC (and presumably your own as you are reading this) gaming is an important aspect of VR, but even if gamers don’t end up adopting the technology, it’s not going to die because its potential for other industries who don’t care about adoption rates and publisher demands are too great.

So why this post now? Over the weekend I picked up a Playstation VR headset. It’s the lowest-cost gaming headset out there, although it only works with the PS4*. I opted to go with the PSVR rather than the Oculus or the Vive partly because of price, but also because the majority of software for the PSVR are actual games of some quality, something I attribute to the fact that the PS storefront isn’t as “Wild West” as Steam is currently. Of course, that means that there are far fewer options for the PSVR, which folks in the industry explain is a result of the lag between the introduction of working dev kits and the amount of time it takes to make a decent quality game (about 2 years minimum, or so the sages claim).

If you’ve never experienced VR, it’s actually difficult to explain its draw. Do we need it? No; I have a smartwatch which I also “don’t need”, but once I acquired it I found that it became far more useful than I could have imagined. The same goes for VR: it’s a “virtual reality”, and if we unpack that we see that we’re talking not just about another way to shove electrons into our eyeballs, like the difference between a 3DS screen, a 40″ 4K TV, or a massive movie screen. We’re talking about a new way of experiencing something. That’s the part that’s hard to get across in words, even with hand gestures. The first time you put on a headset and find yourself standing…wherever…and you move your head around, look down at your “hands”, or up at the sky, it doesn’t feel like you’re where you physically are. At least, until you start to move. The first game I tried, I almost toppled over when I started to move with the gamepad; it wasn’t motion sickness so much as vertigo, the feeling that I was moving while also not moving. There’s a real physiological effect there, meaning that for all the talk about resolution and refresh and cost and software, our senses treat VR as an actual reality. It’s right there in the name: virtual reality, but a reality nonetheless. We’ve only got one reality otherwise, which is really the draw of VR for me. Immersion is supposed to be a key element of great games, but we can’t imagine the level of immersion possible until we’ve put ourselves into a whole different reality.

Throwing VR under the bus because there’s nothing right now that speaks to us as individuals, or because we want to be able to earn street cred with the community says more about the naysayers than it does anything about the technology itself, and that’s really the way it should be: the tech should just keep on keeping on without paying any mind to those who have some kind of axe to grind for some kind of reason. I do agree that the requirements are too high; people should be able to use VR without having to upgrade their PCs. I also agree that the price is too high, but this is gen one, and that’s how technology always works. The software options will keep coming and will get better, but only if there’s a reason for them to do so. If people are adamant about not having VR this time around, then they won’t demand software. If there’s no demand, there will be no software. But it won’t mean that VR is going to end up in a shoebox at the back of the tech closet; it’ll continue in the industries where it’s valued for what it can do.


*As the lowest cost solution, the PSVR is a logical target for hackers, and there are already solutions in the works to get the headset working with the PC. The thing is, Sony is poised to be the cheerleader for VR due to the low price, but leaving it only on the PS4 is like leaving money on the table. If Sony were to make the PSVR officially PC compatible, I can easily imagine a much wider adoption of their product, and for VR in general.

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Here There Be Dunces

Posted by on Apr 11, 2017 in Tabletop and Board

Here There Be Dunces

I think that part of the allure of tabletop roleplaying games, for some, is the ability to get their inner Tolkien on and create an entirely new world. Sometimes this happens by accident, with years and years of roleplaying just layering the places and people and histories, but other times it’s someone’s raison d’etre for approaching TRPG in the first place.

There may be historical precedent for approaching TRPG from this direction; Tolkien, the Grandfather of High Fantasy, has created the most enduring, most influential world-setting of all time, and it’s because of Lord of the Rings that we have Dungeons & Dragons. As a creative medium, it stands to reason that the hardcore players or TRPGs would want to take a crack at Tolkien’s legacy with their own approach, at the very least so that the setting they base the adventures in doesn’t seem as Middle Earth as some of the D&D settings.

I was a member of this camp. The allure of creating a new world from the ground up was not only attractive but functional. I could decide everything that had happened up to the point where the players entered the scene, but more importantly, I could arbitrate stuff as time (and gameplay) went on. Even when a party plays an adventure in Faerun or the world of Greyhawk, their exploits can be woven into the homebrew legends, but there are still constraints backed by years and years of source materials, wikis, and ardent fans who would insist that canon not be exploited and modified. Custom world building gets around this by giving the GM the power to Make Stuff Up on the fly and to have it added to canon on a whim while also have some idea of the constraints regarding what can, cannot, or did happen over the course of gameplay.

Recently, though, I’ve been trying to get away from the idea of creating the entire world ahead of time, or in aiming for the end game and working backward to create the adventures. After wrapping up our D&D game and looking back on how things went, I realized that there just wasn’t enough player freedom available. The module was partly to blame, and I was also partly to blame for sticking so close to the module. On the other hand, would I have done much different had I been running a homebrew adventure? I am fairly certain I would have picked an end game condition, a starting position, and then setup up scenarios, encounters, puzzles, and interactions that would lead the players to that end game configuration as a way of making my job easier. The result would have been just as much “on rails” as any pre-packaged adventure, except without the benefit of it having been created by a professional.

Last night I was taking notes on a Call of Cthulhu one-shot module that I had purchased for Fantasy Grounds. Being a one-shot means that it can be run from start to finish in a single sitting*, but more importantly, it can be used as a jumping off point for other adventures whether they be pre-packaged or homebrew. In thinking about that fact last night, I opted to take as many notes as I needed in order to keep the information straight and to ensure that the NPCs don’t suddenly change personalities, but that’s where I stopped. I wasn’t going to pre-configure paths that the players could or should take in order to get to the end of the module. What should happen instead is that the players drive the story, and when the story is done, find a scrap of what’s left when the dust settles to use as a jumping off point for…something else. It doesn’t really matter what that “something else” is at that point because the players should do the investigation and in doing so, build the world based on what they find, when they find it or when they need to know it.


* One sitting is dependent upon how much time the group has to devote to playing. Our D&D sessions were only 2 hours, so a one-shot adventure would have had to have been extremely short, especially if there was combat involved. Thankfully, CoC doesn’t rely on combat, and 2 hours might be doable for this particular module.

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New PC: The Aftermath

Posted by on Mar 20, 2017 in Gaming, Glamour Shots, Hardware, Software

New PC: The Aftermath


The “before” picture

I finally got around to building my new PC on Saturday morning. I woke up early (about 6:45 AM) in part because I’m getting old and old people eat dinner early and also wake up early, and because it was like gawddamned Christmas. I could tell that it had been quite some time since I’d last built a custom PC, because it took me hours for several reasons. First, the motherboard is a gaming motherboard, which means there’s a lot more gee-gaws on there in the event that the builder wants to overclock, side clock, cock-block, and rock around the clock. Second, the case I had bought was nicer than a sub-$100 case had any right to be, complete with a removable side panel that allowed me to route 98% of the cables out of sight to create the cleanest looking internal configuration I’ve ever had the pleasure to build. Third, I didn’t want to put an optical drive in there because everything is on the Internet now, except that for some reason this board’s integrated network port didn’t work at all without drivers…which were on the DVD that came with the motherboard. I had to open the side-panel, disconnect one of the HDDs and wire in a spare DVD to get the install media that would let me get the PC online.


To say that I’m pleased with this PC is an understatement. It used to be that my PC was the loudest thing in the room, what with its aging cooling system ramping up the fans just because the day ended with the letter “Y”. Now, I can hear all kinds of other things from the corners of the basement (and I’m kind of worried about the state of my house as a result) because the fans are software controlled, and the water cooling system is whisper-quiet. Honestly, I still expect to hear the fans whine at certain points of operation and it takes me a second or two to realize why I’m not.

My biggest problem? Finding something that I have that will put the system through its paces. The system I was replacing wasn’t deadweight; it could still handle pretty much everything I’d thrown at it, but looking over the recommended requirements for Mass Effect: Andromeda made me realize that I was only a micron away from falling away from the trailing edge of what I’d be able to run very, very soon.

The first Big Test was probably the biggest game I have that would yield true results: Star Citizen. I had been able to run SC, but not all that well, with visual lag coupled with the motion blur that can’t be turned off resulting in a real headache for me. On the new system, though, SC ran like a real game. I was able to sprint through Port Olisar, jump into my Connie and take off. Moving through the ship was a breeze, and I was even able to get back into the ship when I accidentally shot myself out of the airlock without worrying about mistiming due to lag.

Not representative of temps, but the number of control panels this motherboard offers is staggering

As a consequence of picking up a GTX 1070 from Newegg, I scored a copy of Ghost Recon: Wildlands, a game I’d been cool on, but interested if I could play with others. This game ran exceedingly well and only notched the CPU up to about 68C/154F which from what I’m seeing is either average for an i7-7700K with water cooling, or is on the lower side. In light of that, then, the only issue I ran into thanks to testing with GR:W was with the fact that I’m still using physical platter HDs.

I have an SSD for my main OS drive, and I try very hard not to install anything there, and I have moved all of my high-access content to one of the physical drives (page file, Documents, Downloads, Videos, etc). Everything else is installed to one of these two 500GB physical drives: one specifically for games, and the other for everything else. When running GR:W, then, the only issues that cropped up occurred when the game needed to access data from the disk. It hitched and paused for a few seconds which for an RPG might be OK, but for a game requiring a smooth experience so as not to end up dead, this was nigh unacceptable. Defragging the HD (remember that?) helped, but it got me thinking about what’s called an M.2 SSD.

How retro!

On newer motherboards, there’s a slot for a device that looks like an old-school stick of RAM with its green board and exposed microchips. The port itself is generic, accepting anything from SSDs to wireless and Bluetooth cards. The benefit of an M.2 SSD is that its bus is supposedly faster than a conventional drive hookup (on my board, it’s a 6GB/sec SATA connection), but it’s also low-profile and requires no cables for connection or power supply.

So I’ve been considering adding an M.2. drive to this system, but it’ll have to wait because I’ve already spent as much as I’m able on this system at this time. Alternatively, I’m now in a place where I can consider whether or not to get on the VR bandwagon (or more accurately the much smaller VR Red Ryder wagon). I looked over what kinds of games on Steam require VR, and came away pretty unimpressed. I have Elite: Dangerous already, and while I know what a boon having head tracking is (thanks to having used TrackIR with the game), I’m not sure shelling out hundreds for a VR setup would be worthwhile just for Elite. Other promising items like Star Trek: Bridge Crew sound absolutely amazing on paper, but since I don’t know too many people who also have VR setups, I’d have to play with *shudder* the general population. Really, right now I’m thinking that I should shelve VR until V2.0 or if I’m hell bent on it for some reason, to look at lower cost versions like PSVR (which seems to have a better lineup than what I saw on Steam).

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Finding My Way – Mapping for RPGs

Posted by on Mar 13, 2017 in Software, Tabletop and Board

Finding My Way – Mapping for RPGs

Quite a while ago I had written a post about mapping when I was looking into setting up a Pathfinder campaign. In all honesty, I can’t for the life of me remember anything about the reasons for doing such a thing, although I do recall the time I spent learning techniques for hand-drawing maps. I remember this because I was pleasantly surprised with some of my results, although the actual maps I’d made have since been lost the mists of time.

Maps are an ancient and revered tradition in the RPG-sphere because the only reason why not all who wander are lost is because they stopped at the service station and picked up a map. Since the release of the MMO-esque D&D 4E, maps have been getting short shrift as tools of the Devil, dragging what should be a game about imagination into the realm of tactical miniatures (an argument which seems to ignore the fact that D&D was created by a tactical wargamer). Maps have been around since the very beginning of tabletop RPGs and have been used to push counters around as well as serving as useful reference tools for players to understand the lay of the land. While neckbeards around the world are chiding lesser beings for the inability to visualize everything about the elven kingdom down to the embroidery on their undergarments, visual aids not only help with immersion but allow GMs to go that extra mile, because art ain’t cheap and players love the details.

I’ve been on the lookout for easier ways to make maps for some time. As my earlier post stated I’d tried some of the really expensive tools like Campaign Cartographer, and have used freebies like the excellent tools on offer at Pyromancers.com (which I learned this weekend is offering a stand-alone mapping tool on Steam, which works great). Tools like CC bring a lot to the table by providing you with in-app ways to create content if you don’t have access to it, while tools like Pyro’s Dungeon Painter Studio rely on custom artwork to be imported from some other source.

The issue, then, is finding something specific that fits your needs. Yes, we can hand-draw a map, which is great for those who are fortunate enough to play locally, although we can scan it for download for those of us who have to play remotely, and while I’m sure those efforts can be just as appreciated as a frame-worthy map rendered by a top-notch cartographer being able to build a map using software has some advantages, like being able to maintain a sense of scale, and being able to speed up development through features such as layers.

This weekend I spent a good amount of time working with Dungeon Painter Studio trying to put something together for the mini-adventure I’ve been working on for Call of Cthulhu. It takes place inside a museum, which means that I need visual elements for things you’d find in a museum around the turn of the century. I figured there’d be a certain level of opulence in the public areas that was intended to invoke mysterious far away lands in an era before world travel was common: marble floors, Roman columns, tapestries, curving staircases, tropical plants, and so on. The exhibits themselves would also need to be represented, so I needed art for display cases, statues, and “ancient things” like sarcophagi. While I was able to create the perimeter of the museum’s first floor without issue, filling the space inside was decidedly more impossible, since like many mapping applications DPS leaned heavily towards high-fantasy assets like traps, mystical crystals, and castle flooring.

I ended up making a few simple floor tiles in Photoshop which worked OK, but absolutely failed when I tried to create anything more complex. I tried making a red wing-backed chair that resembled no chair anyone would consider sitting in (although for a CoC adventure, that might be a good thing to use). I also tried making a simple top-down view of a banner on a display post but failed in that as well. My only other option was to download a 5.5GB community collection of publicly available assets that were collected from free sources on various cartographic forums across the Internet. Although the organization required for DPS was lacking, there were more than enough assets in that archive to provide everything I think I need to create this map.

Sadly, it took me more time to get a fraction of the assets organized for use in DPS than I had available to re-work my initial attempt at making the map, so I don’t have anything to show you right now, and even if I did I don’t know that I would because it could end up spoiling the mystery of the adventure.

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RPG 101 – Organizing Your Stuff: A Questionnaire

Posted by on Mar 2, 2017 in Tabletop and Board

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Well, the search is already over, I’m afraid. I thought I’d stop back here and provide an update in case anyone finds this post later on and has a burning desire to know what was decided, or even if someone wants to give an alternate suggestion.

I had totally forgotten that I owned a copy of Scrivner. Scrivner is an application primarily aimed at writers of novels and short stories, scripts, and other organized documents. It has a fantastic organizational approach, allows for linking between documents, and even embed media.

One thing I had to check on before I got 100% excited was whether or not the iOS version could sync with the desktop version, and the answer is that yes it can if the data files are stored somewhere like DropBox.

For those who are looking for their own powerful organizer for their RPG content, or really want to start working on that Great American Novel (or Great Wherever You Live Novel), check out Scriver for Windows, MacOS, or iOS.


As our D&D game is winding down, I plan on taking a bit of sabbatical to consider options. It’s been a long time since I’ve played an RPG, so I might lean in that direction, or I might sit everything out for quite a while. We’ve been on the D&D track for several years now starting with 4E and then segueing into 5E and to be frank, I’m pretty burned out on the sword and sorcery angle. If I were to run another game, I’d want to move onto a different system. I’ve been working on a small one-shot module for Call of Cthulhu, but have also been considering an idea for a campaign setting for Numenera.

Organizing a homebrew used to be easy. One pen. One notebook. But since my groups aren’t local, and my locals aren’t interested, I turn to the Internet with its wealth of online tools. I’m never one to use a shovel when a transdimensional AI-enabled cranial backhoe will do, so I am always on the lookout for tools to help organize my thoughts.

The problem, though, is that nothing feels like a good fit, which is why I turn to you, dear reader, and your friends, dear friends of dear reader, for ideas.

Remeron kupic. Mirtazapine bez recepty. What tools do you know of to help organize a world-building exercise for RPGs?

I do have a few requirements for what I’m looking for, although none of these are non-negotiable:

  1. My goal is to have something as full-featured as possible. This means text and visuals under one roof without having to store images with a hosting service and linked to the rest of the content.
  2. Ideally, it will be online. Offline is OK, especially if I can store data files in Dropbox or OneDrive or something.
  3. Ideally, it will be for PC, although if it’s online, something that works well on a tablet browser is also welcome.
  4. I’m really just looking for something that I will use; I don’t need the ability for players to use it since it’s intended to serve as a reference for future campaign designs.
  5. Free is good. Cheap is also good. Expensive one time fees will get a consideration. Subscription is less good, but if it’s the end of the road and that’s the only meal to be had, so be it.

And also to save some folks the trouble:

  1. I know all about pen and paper notebooks. For me, in 2017, they no longer cut it.
  2. I know all about eNotebooks like Evernote and OneNote. I use them frequently, but they are too unstructured for creating a reference manual. Office Online and Google Docs are also known, and also are lacking.
  3. I know about Obsidian Portal, but see item #5 above. I also have RealmWorks from Lone Wolf, but ye gawds it insults my eyes. I also have (and love) Fantasy Grounds, which works, but is rather un-portable.

If you have experience with eTools for organizing your campaigns and general world-building, please let me know. I’m so desperate I’ve started writing something myself, but that takes longer than I’d like to spend building tools to build tools. Also, if you could please share this with folks that you know in RPG communities, I’ll grant you Inspiration, an extra 1d8, or some other boon on your next attempt at success.

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Horizon: Zero Dawn Impressions

Posted by on Mar 1, 2017 in Consoles, Editorial, Glamour Shots

I’ve never been able to write up good impression pieces, especially for video games. There’s so much to cover in games and so many angles from which to cover them that I tend to cross lines frequently and mid-stream so my posts are less “impressions” and more “that six year old trying to talk to you about Transformers after his fifth Pixie Stick”.

I’m going to talk about Horizon: Zero Dawn, then, in two phases: first, the mechanics. Second, the impression. Mechanics are facts that you can probably get from the developer’s site anyway and therefore spoil nothing. Impressions, however, are more free-form, and a lot of the time I find that it’s impossible to explain the extent of an impression without talking about specifics, which may mean spoilers. Personally, I don’t really shy from spoilers, and I assume that there’s two camps who read posts on subjects like this one anyway: those who are already in the car on the ride, and those who prefer to take the bus. In effect, you’ll either know what I’m talking about because you are also playing, or you have no intention (or ability) to play the game but want to know what the hype is all about. Yes, third party, I know you’re there: the ones who will wait for a sale or something. But for you, I have nothing but sympathy, as I won’t be the only spoilery outlet on the Internet.


The best shorthand I can offer someone who knows nothing about HZD is that it’s a post-apoc FarCry/Assassin’s Creed. For some, that’s a plus. For others it’s a condemnation. I only compare it thusly because there are some obvious parallels, but mechanics are only one (and even then, a minor) facet of any game. FC/AC mechanics WORK, so I think this is a bonus because of what HZD’s game world represents: open world, exploration, and accomplishment.

compra capoten The Focus Vision
Early in the game, Aloy acquires a piece of old-world tech that she calls a Focus. It presents a holographic display of items in the world and is used as a kind of radar for game-play purposes. It can see a limited distance and can see through certain obstacles to outline creatures (organic and metallic) as well as lootable corpses in the world. Occasionally, it’s used to present additional information on narrative objects, like when Aloy first encounters a signal being broadcast from a nearby longneck mech. When in Focus mode, Aloy moves slower, and if she’s in crouch mode, she moves agonizingly slow. It is used often for info, and to make sure I don’t blunder into an otherwise unseen pack of mechs.

Focus mode helps identify enemies, animals, and normally unseen clues in the world.

acquistare tylenol Doing Stuff
Aloy is a young woman who has trained her whole life to survive in a hostile environment. She has learned to use a spear and a bow, and most importantly, to move silently among the machine predators that inhabit the wilds.

Movement is smooth, and I haven’t had any issues with the camera whatsoever. For an action game, this is super important, because no one likes to have their vision screwed up as they’re trying to take down an enemy. There’s an analog speed mechanic with the left stick, a sprint, and a stealth mode.

I personally have issues in using the weapons (not as in “my personal gripe”, but as in “I suck at it”). The difference between using the bow and using the spear is a matter of context. If you use the left trigger, you zoom in with the bow and can fire with the right trigger. If you just use the right trigger, you take a light swing with the spear. Using the right shoulder button, you can perform a hard attack with the spear. Not a few times did I try and fire an arrow at relatively close range (i.e. not zoomed) and found myself taking a swipe with the spear which was just OUT of range. Beyond that, I simply suck at hitting things with the bow. Early on I bought the ability that allows me to slow time for a bit when using the bow, but it doesn’t stop the target from walking or twisting and putting the target zone out of reach before I could fire off a shot.

Crafting is a major part of the game and is one of the reasons I make FC/AC parallels. Not only do you have to make your own ammo (arrows, mainly), but you need to use resources to increase the capacity of your bags in order to hold more weapons, ammo, potions, resources, outfits, and traps. Thankfully, materials that you need early on are in abundance, but I’m hearing that more esoteric materials used for advanced items and upgrades are more difficult to come by.

Most of the gear is upgradable as well by using a slot system. You’ll extract items from machines that can be added to weapons and armor to increase their stats, and I guess there’s not a lot more to say about that.

Collector’s Edition armor with upgrade slot.

comprar ditropan sin receta The World
Another FC/AC parallel is that the world is vast, open, and divided into points of interest. You start off in a region controlled by your birth tribe, the Nora. Within their walls, there’s a lot of ground to cover. Eventually, you’ll be sent on a mission outside those walls.

The map pinpoints your objective locations, giving you a route along the road to follow. Along the way, you’ll see icons for campfires (save and fast-travel points), side quests (green “!”), villages, merchants, and hunting grounds represented by an icon of the most prevalent mechanical game found there.

Nora citizens heading for the Proving.

Because you’re working within a pretty mountainous region (best argument I’ve seen puts the game world somewhere in Colorado), there’s a lot of uneven terrain. I rarely had issues figuring out how to get to where I needed to be and was only occasionally impeded by unclear pathways. One mechanic borrowed from Uncharted has Aloy able to climb rock faces using natural hand-holds as well as artificial pinions and ladders. Sometimes, these elements aren’t as obvious as they should otherwise be; I’ve circled a few rocks a few times looking for handholds that I know should be present, only to find them rendered in a very close color analog to the rock they were embedded into. The good thing is that simply pushing the stick in a direction will make Aloy leap, so traversing the vertical is pretty quick and very satisfying.

There are day and night cycles, although it sometimes seems that they change for narrative purposes when the need arises. There’s also rain (which generates a dense fog) and some light snow (which is all I’ve seen so far). At night when there’s a low-lying mist, the lights from the mechanical creatures have the right kind of haze you’d expect animals with built-in headlights to have.

HZD is a beautiful game, and I don’t even have a PSPro. The landscape appropriately lush for a world where nature is running rampant, although I have to reserve the best praise for the character models, which I feel are second probably only to Naughty Dog’s stellar work in Uncharted 4.

günstig kaufen lotensin Combat
Because Aloy is a hunter living among mechanical creatures who are stronger, faster, and (frankly) heavier than she is, everything about the prey is dangerous even when they aren’t actually attacking. Because of this, stealth is a major component in combat.

Crouching is augmented by hiding in abundant patches of tall grass which shields Aloy from the sight of most predators unless they’re right on top of her. She can throw rocks to redirect attention, but can also whistle to draw a target’s attention to her. Both of these are super useful because the name of the game is sub-system targeting.

Aloy set  upon by a Watcher.

Each machine has at least one weak spot, and it’s where you want to hit. For example, Watchers are like velociraptors with no front arms, and their one massive eye is their weak spot; get them to face you, and hit them once with a standard arrow to take them out. Other creatures may have a canister on their back in addition to smaller eyes, making it difficult to hit BOTH; hit the cannister and the creature will run away but hit the eyes and you lose visibility on the cannister. Some creatures have weak points in inconvenient locations, like the belly area, or move so fast getting a bead on specific body parts is difficult with advanced abilities. From what I can tell, then, the more visible or inaccessible weak spots a creature has, the harder they’ll be to take down.

Thankfully, there are more options than just rocks and whistles. Early on Aloy buys a tripcaster. This is a small crossbow which requires you to fire two ground stakes to string an electrified tripwire between them. Any mechanical creature of small or medium size that trips the wire is incapacitated for a time. There’s also the ropecaster which allows Aloy to secure targets to slow or immobilize them, but I haven’t bought that weapon yet and can’t speak about its effectiveness.

Aloy also has different ammo types. She starts out with a standard arrow but early on learns to craft flame arrows which explode and can set certain targets on fire. Even though they are mechanical, targets can be susceptible to elemental damage, and Aloy can discern this info using her Focus vision.

Beyond that, there are different damage types — fire, electrical, and a machine-specific CORRUPTION type — that can be applied to arrows, grenades, and traps.

order NPC Interactions
A lot of NPC interactions are handled via cut-scenes and are driven by a Bioware-esque conversation wheel. Normal topics are listed unadorned, but critical path (i.e. decision making) options have a diamond icon next to them. On occasion, Aloy can choose from special responses designated by a brain (logical), heart (empathetic) or fist (strength) that have different effects on different NPCs from what I can tell. What the over-arching result of these decisions is, I don’t know.

Conversation wheel.

comrar venta rogaine Mounts
Finally, you will be able to secure a mount. This system is most like the one found in The Witcher 3, with repeated taps of a button to increase and decrease speeds, and also the option (in settings) to have your mount stick to a path so you don’t need to constantly course-correct along the road (just when you reach an intersection).


Well, the clinical stuff is mostly out of the way, at least up to the point I’ve gotten (about 8% of the game after a few hours). Now we can talk about our feelings.

HZD is a great game. It’s already nailed what I’d hoped to get out of it, which is the narrative and the immersion in this weird world that Guerilla has created. I loved the Uncharted series as much for its depiction of the Drake’s home life as I did when Nathan was running and jumping through jungle ruins because there was that sense of sonder built in. Characters are remembered for their heroics, but they can’t be heroic without a reason to get up off the proverbial couch and to me that matters just as much as high-voltage cut-scenes.

Aloy was raised as an outcast by a man named Rost who opted to leave the Nora tribe for reasons we don’t find out early in the game. When Aloy was a child, she stumbled upon some “metal age” ruins — an old lab. Inside she finds several aged corpses, and a bit of technology she calls the Focus which allows her to interact with the world using holographic interfaces. She learns a bit about the dead through recorded logs that they left which give us just a bit of creepy insight into how the world ended up falling: there was apparently some catastrophe which caused these specific people to lock themselves away until their only decision was how quickly they were willing to die.

Aloy finds the Focus in a metal age ruin as a child.

Rost trains Aloy because he hates that she has to live as an outcast and knows that some day she can participate in the Nora ritual of the Proving, when any young person who finishes can join the ranks of the “braves” of the tribe. For outcasts, this means an opportunity to return to the tribe. For the winner of the ritual, though, he or she can make a single demand of the tribe that must be granted, and Aloy already has her’s lined up: she wants to know who her mother is. She’s not Rost’s child but was given to him to raise for reasons we barely understand: Aloy wasn’t born, she was found inside the sacred mountain in what the Nora call the Temple of the All-Mother, their most sacred space. No one knows how she got there, or who her mother really is, but once the village is attacked by an unidentified cult who seemed to be specifically after Aloy, she leaves the Nora homelands for the city of Meridian in order to track down a lead on a traitor who might have some answers.

The mysterious birth angle isn’t anything new, but the direction the story points us in is really how it should be judged. Aloy was left at a literal doorstep: a massive sealed door in the Temple, behind which is a complete and utter mystery. Aloy believes her mother exists behind that door. We’re given the hint through her Focus that Aloy is descended from someone specific who is recognized by the door’s security system and who lived before the apocalypse, but if it’s her mother, her original template, or something else, we don’t yet know.

The mysterious door in the Temple from which Aloy emerged as an infant.

One of the things that I think would be critical to nail is the feeling that Aloy exists in a stone-age world alongside both the shadow elements of a fallen humanity and the hyper-advanced living machine ecosystem. While the Nora aren’t the most technologically advanced humans we see, they’re not paralyzed by ignorance. They understand some technology but don’t have the faculty or know-how to recreate old-world technology that can work for them. More to the point, we get the sense that they don’t want to. When Aloy returns to the Nora village of Mother’s Heart, she can watch a storytelling session given to children where the speaker talks about how the elder humans left the teachings of the All-Mother and embraced the technology which lead to their downfall. The Nora see technology as evil and don’t want any part of it outside of what little they can repurpose for their own use — armor and weapons that are most effective aginst machine creature attacks. In this, I think Guerilla did a great job of making Aloy and the Nora the believable “contemporary” civilization, with the ruins of past humanity suitably ruined enough to be mysterious while being stupidly familiar to us as players, and the presence of machine beasts consistently feeling as alien as they first did when we saw the original reveal trailer, in part because Guerilla puts actual organic animals in the world as both a ground (“this is what hunters would normally hunt”) and a necessary as a crafting reagent.

Mother’s Heart, the center of Noran civilization.

I love the character models. Up close, we get the uncanny valley of design that tries too hard to make things look authentic: scrubby hair, shiny moisture, and massive pores. At speaking distance, though, the character faces are significantly different so it’s extremely easy to give characters physical personality beyond what comes out of their mouths. It looks to me like major characters were each crafted as individuals, and not cobbled together from a limited set of face shapes, eyes, brows, mouths, noses, and facial hair.

A fellow Norian destined for the Proving.

The voice acting is pretty damn good as well for most of the characters. They have the kind of cadence and inflection that you’d expect from someone in normal conversation, based on their personality and the situation they’re speaking about. The only stumbling block is Aloy herself when it comes time for her to respond based on a player-made conversation decision, a failing I call “Shepard Syndrome” because of the same result in the Mass Effect games. Normal conversation sounds fine, but when the character needs to say something in response to a player decision, the delivery sounds wooden and very “prompt-like”, as if they’re querying a voice-activated computer and aren’t expecting a human response. For how it’s done right, consider Star Wars: The Old Republic’s voiced player-character responses.

I see a dangerous precipice, though: the need for repetition. HZD’s conceit is that you’re a hunter who has to hunt robots for survival and for parts used in survival. At that level, a lot of games would push you hard into having to constantly farm targets even beyond the point where it’s fun anymore. Once I got the ability to “tame” certain creatures and got one as a mount, I just wanted to run full speed ahead to the next story destination but found myself having to dismount or slow because I had to avoid detection by roving mechanicals placed too close to the road. On one hand, I need the materials and the XP and — quite honestly — the practice, but on the other hand, I am playing on EASY mode because I’m all about the story and not any sort of chest-thumping that would accompany anyone taking issue with my choice. I know that in games past when I reached the point where content was becoming annoying, it was a harbinger of losing interest. While I also had moments comparing my time in HZD to my recent time in Uncharted 4 where I said “yeah I can see myself putting all else aside to return to this game until complete”, I don’t want to supersede THAT feeling because the design thinks fighting robots is too cool for anyone to NOT want to do it over and over and over.

An angered Watcher.

I suppose the question for anyone looking for info on whether or not to pay full price or wait for a sale is “is it fun?” I hate that question because fun is subjective. “Is it worth full price” is a resounding YES from me because even though I don’t care for the Assassin’s Creed-as-inspiration vibe I get which short-circuits whatever OCDness I have when it comes to task management, I don’t feel quite so overwhelmed with HZD’s implementation. At the point where I’m at, I feel that there’s enough to do without it being a burden or without too many side-quests becoming the “main quest”. The game has striking visuals, great acting, solid mechanics, an engaging story, and enough to keep players busy for hours without stopping (not that I recommend or endorse that kind of binge).

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