I’ve been looking heavily into ruleset creation for Fantasy Grounds, the Cadillac of virtual tabletop applications. FG is an old application and relies on a lot of older conventions such as XML to define things like visual layouts. It also uses Lua which you might recognize as the scripting language of choice for many MMO add-ons.
FG is in the throes of a re-write in Unity, according to sources. I was discussing this with the Illustrious Talyn, who has translated several FG modules and is familiar with the FG team. I mentioned that even though it would be a pain in the ass for them to do, I’d like to see the Unity version support both the “classic” use of XML and Lua alongside the more up-to-date C#/Mono.
As a tangent, I wondered if it would be possible to extend a Unity version of FG with mods that do more than just add rules or content. One thing I was thinking about was the potential to have a data store other than files, which lead me to think about having an off-site database, which then led me to wonder about the feasibility of a system — not necessarily FG-based — of a shared world RPG system.
“Oh!” you say. “You mean an MMO, dumbass”. No, I don’t, for a few reasons. First, I’m talking about tabletop RPG. They removed the “RPG” from “MMORPG” many years ago so when we talk about RPGs we mean games like Dungeons & Dragons. Second, I was thinking about a system whereby many people can get into a database and define “a world” with “locations” and “monsters” and “lore”.
Consider your standard sourcebook. It defines the world/landmass/nation/region, pointing out geographical points of interest. It also talks a little bit about the land’s history. The book will then go into detail about the civilizations that you will find in these areas so that in the end, the GM/world builder can have resources at his or her disposal to make one-off adventures for a single group of players.
With the shared world system, people who connect are greeted with a living world which keeps track of the state of what everyone who connects has accomplished. Mobs can be generated by the GM and stored in the database. When the party decimates those enemies (hopefully), the location where the battle took place is recorded. Along comes another party and the GM receives a note on the area that this “looks like a significant battle took place here”. He or she could do with that as they wanted, or ignore it.
More importantly, important world figures would be significant in that any party who opts to include one in their adventure would layer that NPC with experience, and might even kill them. Once the NPC is dead, they are dead for everyone.
The idea, then, is to allow for collaboration among peers — even if those peers aren’t specifically working together — on a content system that has some level of intelligence, enough to know that 0 HP means “don’t show this NPC to anyone else unless the HP are set to something other than 0” and that once the treasure chest in the cavern has been looted, it stays looted until someone actively refills it somehow. Everything would need to be tagged with the creator, and the creator notified when the state changes significantly, so the creator can manage that item (resurrect the NPC, fill the chest, etc). So even if a gaming group moves into a corner of the map that no one ever visits, they will create their own concequences that maybe someone will find at some point in the future.
I have no idea if this is something that’s possible, even on a less powerful level — a shared set of documents that people can download, update, and re-upload to keep things kosher across the board for everyone.
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Any nerd who’s seen Star Trek knows that no one bothers to use a keyboard (despite being all over the Enterprise anyway) when they want to send an email or correspond with sexy single Klingons in their area. As technology has moved forward into the 24th century, the preferred method of human-computer interface is shouting into thin air and totally expecting something to come of it.
Here in the backwaters of the 21st century, we’re still pecking out text messages on our tiny smartphones like cavepeople. We can’t even send dick pics without some manual intervention (allusion intentional). The use of voice commands isn’t quite there yet for controlling our devices, but things do seem to be trending in that direction. We can commune with Siri or settle in with OK Google or interact with Cortana, sadly without the sexy blue hologram. Our efforts sometimes pay off, but more often than not I expect that voice interaction with our tech is accidentally ordering 20 lobsters for shipment to Mozambique than it is setting a reminder to pick up a loaf of bread on the way home from work.
Amazon — all hail Amazon — continues to find ways to shoehorn itself into our lives with the Echo line of voice (and now video) enabled devices. Of course, Amazon — all hail Amazon — wants us to use their services for everything: to buy books, to buy clothing, toys, electronics, movies, music, and (in the three metro places where they offer it) groceries. It’s stupidly convenient to get a shipment from Amazon like it ain’t no thing: Prime shipping with One Click ordering means we might not even realize that we ordered something until it arrives on our doorstep. The Echo is Amazon’s — all hail Amazon — attempt to bring a little Star Trek into our lives.
The flagship Echo is a $180USD tower that comes with a built-in speaker, but for those on a budget there’s the Echo Dot, a smaller puck sized device sans speaker that can be had for as low as $35USD. These deco-enabled devices can sit on the sidelines until someone randomly says “Alexa” — one of the device’s activation words — too loudly, at which point the device springs to action in the way you wish your S.O. would: waiting patiently to listen to anything you want to tell it. You can tell the Echo to put a shopping item on a list, play songs from Pandora, Spotify, or (of course) Amazon Music, get a weather forecast, control your smart home, tell you a joke, or do something else enabled through one of the myriad of “skills” you can activate on your account like it was downloading from The Matrix.
Does that sound awesome to you? Possibly not. Unlike the 24th century where society has evolved to a point where voice interface is the prevalent and most convenient way to work with technology in their fast paced environment, we’re still not quite at the point where shouting at the aether is more efficient or more accurate than any other method we have at our disposal. I can OK Google a timer as quickly as I can get the Echo to start one. I can open an app on my phone and add an item to a shopping list as fast as I can by ordering the Echo to do the same. I can also play my songs from my tablet through my Bluetooth speakers just as easily as I could through the Echo, with the added bonus of being able to take the music with me as I move through the house or to plug in some earbuds if I want some privacy.
The Echo technology is getting there, though. This morning I found that the new “Drop In” functionality had been enabled on my devices (I have three Echo Dots, one on each floor of my house). This feature allows my family and me to use the Echo as an intercom system, a feature that was forehead-smackingly absent from the original product. At $35 each, it’s easy to buy multiple Dots for whenever and wherever you feel the need to talk to someone elsewhere in the house without shouting, and being able to talk to another Dot or Echo on your network seems like a feature worth the price of admission. I tried it out with my wife this morning, communicating from the kitchen to the bedroom, and aside from the acoustics reaching me through good old vibrating air a few seconds before the Dot transmitted the same, it worked flawlessly. Of course, this is only good for when you have multiple Echo devices throughout your home or want to use the smartphone app to remotely intercom with someone at home, or want to monitor what’s going on in your house or apartment through the new Echo Show, which is the realization of the dreams of many futurists from the 1990’s who wanted a viable video phone in their lifetime.
Like dick pics
The Echo is, at best, a magnetic notepad with tethered pen that you can stick to your fridge so you don’t have to root around in a junk drawer for the same when you need to make a list or leave a note, but at $35 it improves on that notepad in a technology-forward way for those who are into that. Considering we only have about a decade until Amazon — all hail Amazon — has at least five different vectors into each of our lives, I can only expect the technology to get better and possibly more useful. Right now, though, it’s a fun novelty that can be made to fit into a niche in our lives that gives us a “summer stock” vision of a Star Trek future.
Footnote: I know a lot of people are going to scrunch up their faces and wonder why I didn’t address things like privacy concerns or the possibility of cyber attacks turning the devices against us. I am not an analyst, despite the fact that I have a blog and write a whole lot of words without saying a damn thing worth noting. There are people who are much better at talking about these things than I am — take Mr. Koster’s post above as an example.
The Echo — and the Internet, and the things on the Internet — will always only be as safe as the infrastructure that supports them, and as secure as the people and business that support that infrastructure are willing and able to make them. As a consumer, my job isn’t to harden my node against any and all attacks, because there’s only so much I can do at what they refer to as “the last mile”; instead, I need to decide where to place my trust, if I am placing any trust at all, among those who control the lion’s share of pathways and services that are available to me. This is not a question of tech, but a question we all have to face, every day, as a species. Who we trust and how much we trust them has always been a part of the human condition. We need to trust our banks, our employers and employees, our neighbors, our families, and even total strangers. We need to decide who to trust with our money and our health and our futures every single day, tech or no tech. Technology is neutral; the Echo itself isn’t maliciously haunting you out of the box.
So it’s really up to the individual how far each of us wants to allow tech into our lives. We can arm ourselves with truth — not speculation, or even panicked what-if’s — and then…we have to decide who among those upstream of us deserve our trust. Considering Amazon knows as much about me as any other service I use these days, and chances are they know just about as much about you, then I think the Echo is about as safe as the PCs, consoles, tablets, and smartphones that we have come to rely on.
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I am currently suffering from long weekend withdrawal, as I enjoyed the normal weekend, a successful cookout on Memorial Day (despite the rain), and an additional “clean-up/mental health day” off on Tuesday. While I did get to spend some of my Tuesday cleaning up after the festivities on the previous day, I would have felt the day had been wasted if I wasn’t able to get some quality basement time.
Per my previous post on the subject, I have spent a good amount of time watching instructional videos on Udemy and am now at the point where I cannot simply sit by and do nothing but watch someone else do cool stuff. I upgraded my Adobe Creative Cloud subscription to the buffet plan, and over the weekend I installed After Effects. While I am positive that I haven’t yet gotten anywhere near knowing how to do all the best, most useful stuff according to the video series I’m watching, I have learned enough to get started.
My first stab was to animate “my logo” which I had created in a fit of inspiration, a discussion of which I’ll save for another day. Here’s the original logo:
My thought this time around was to have the runes around the edge rotate slowly, while the internal “Scopique” would sear itself into mid-air like some kind of magical script. Overall, things weren’t too difficult: the rotation of the runes was easy enough, and although the searing of the letters didn’t quite pan out, I delved into the pit of “special effects” and found a light-beam application that I added to the lettering.
The major roadblock I experienced with this was that After Effects is not Photoshop. Compare the original design (which I like) to the recreated version in the video (which is tolerable for a freshman effort) and you’ll notice the difference. The video version doesn’t have the same…I don’t know…visual complexity that the still does, and the static blue-and-red fire (which I really like) look kind of stupid as static imagery in a video. At any rate, I tried to recreate the logo exactly in After Effects, but wasn’t able to, so this is where it stands. I don’t know that I’ll use this video anywhere, but it was a good first try.
The original purpose of learning After Effects, as you might recall had you read the first post in this series, was to create the background crawl for any videos that I might decide to create when I’m sick with a debilitating fever and can’t make rational decisions. This was actually more difficult (for me) than one might think.
Originally I’d tried working with individual words in After Effects, lining them up, duplicating the line several times, and applying animation to each line such that they move in different directions at different speeds. Speed in animation is my mortal enemy, as is math in game development. Make the timeline too long and things move slowly; make it to short and things move way too fast, all compliments of the “frames per second” concept coupled with the rate at which you want the video to run (etc etc etc). I wanted this animation to loop so I didn’t have to worry about how long it’ll run, which meant that I needed it to be long enough to loop, but not so long that it takes 15 minutes for one rotation. And it had to loop back so it appeared seamless.
In the end, I made a line of text in Photoshop and saved it as an image and animated that because I thought it would keep the moving parts to a minimum. I also had to apply a “time warp” effect to each line to control the speed, since my timeline manipulation had proven rather fruitless and frustrating. Like my “Scopique” logo, the results are just barely north of acceptable.
Just a sample posted on Mixer.com as a test.
Finally, I wanted to create a “splash” screen for streaming. These are what people see on the stream channel before the stream goes live to show people that the stream is actually active and that they have time to hit the bathroom/pantry before the show starts.
For this project, I wanted to follow a “cybernetic” theme, so I looked up “cybernetic UI” on Google Images and found one that I kind of liked. For some reason, the motif of concentric, misshapen circles is a cybernetic trope, so I went with that. At first, I started working the design in Photoshop, but then pulled up short: Illustrator would be a lot better for this kind of thing, really, because I was noticing jaggies on some of my circles that Illustrator would nuke. I spent about 10 minutes with Illustrator before I realized I have absolutely no skill with Illustrator, so I forced myself to work with what I had in PS. I figured out how to import PS layers into After Effects, and after a few hours of cleaning up my design, got the circles into AE, centered, and animated. I then needed to create a sufficiently cyberpunk-esque background and managed to gin up something that would probably get a solid B- in an “Intro to Cyberpunk Art” class (I grade on a curve).
I threw in “LOADING…” and “Stream will be starting shortly” text in the final version (not represented here), and…that was all. I was hesitant to add too much to this video because the rotating circles are moving a bit faster than I’d like, and felt that additional animation on the screen would be like making conversation in a silent room simply because the silence was too much to bear.
Overall, I am moderately accepting of my initial efforts. While I managed to get real close to what I wanted to accomplish with each, none of the efforts are what I’d put into a portfolio if I were hell-bent on getting a job as a graphics animator some day. I still have about 200+ videos in my lecture series to watch, at which point I will have to re-watch the whole things and take notes on technique along with ideas on how it could be used beyond the specific tutorial examples being presented.
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Following on the heels of Wednesday’s post on the Elgato Streamdeck, I managed to get some time with it this Thursday and wanted to offer some initial impressions.
Nicely packaged: cradle, stand, and manual.
First, the device is solidly made. It’s basically a block with overly-glossy keys, none of which feels flimsy in the least. When not plugged in, it doesn’t look like much, but when it’s receiving power the keys are backlit with the Elgato logo spread out across the center buttons. The keys are nice and bright, but unfortunately not bright enough to overcome a harsh glare at certain angles, depending on where your local light sources are at. The deck itself can be removed from the desktop stand which may have some uses for enterprising modders out there. The stand itself, though, gets some props for innovation: it’s sporting a two-stage support system. The cradle portion lifts up on a front hinge, and you can extend either the back of the cradle to sit in the base for a more upright position or use two smaller side supports to raise the cradle up to a lesser angle, making it more keyboard-esque. However, the pins used to keep the supports in place are small and I can see them snapping off at some point in the future. I have found that in my setup, the more acute angle works best to avoid key glare, but also put the keys at an angle such that each key is slightly more difficult to see.
The removable deck and cradle
Setup was super easy: install the software (Windows 10 and Mac Whatever only) and plug in the device. Hopefully, you have a nearby USB port because the cable is shorter than what you’d expect from a lot of desktop peripherals and is non-detachable (i.e. can’t swap it with a longer cable).
I’m a software guy, and I love playing around with configuration software so the management utility for the Streamdeck might be one of the easiest I’ve used. The main window features 15 slots representing each of the buttons. On the right side, you have a series of commands that you can assign. Simply drag a command to a button, and you’re about 90% of the way done. Depending on the button, you’ll have some settings you can mess around with. For example, the OBS integration allows you to drag a “Scene” action. In the button properties, you select which Scene in your running copy of OBS you want that button to trigger. The updates are in real time, so as soon as you place the button in the software, it shows up on the physical device. You can also change the icon (some of which have lit and faded states to show which one is active among those it recognizes as being mutually exclusive, like OBS scenes) and layer mutli-line text on the button. I learned that Elgato has a quick key icon creator on their website if you have images but no Photoshop or graphics experience. Like the settings app, this is really easy to use and I had a lot of fun making icons that I needed.
Live updating with default config
Unfortunately, this is where my enthusiasm starts to wind down, but I need to remind you that I didn’t buy this device for its intended purpose of augmenting my live stream control. I bought it to send commands to my games — something that I couldn’t get to work anywhere often enough.
It seems that Elgato has designed the software to be extremely specific in what it does and how it operates. Since the company focuses on streaming technology, their software heavily favors streaming tasks. It has support for Elgato’s own streaming software, OBS, Twitch, and only a few other services like Twitter. For local hooks, there are media control commands, app and website launchers, and hot key broadcasters. Even then, OBS requires a plugin so that the Elgato command software can communicate with it when another app has focus.
For use with OBS
I was mainly focused on using the hotkeys. I tried Elite Dangerous because that’s a game where having access to a lot of keys is something that will enhance the experience. For testing, though, I only created a new button and assigned it the Hotkey “1”. In Elite, this opens the left-side control panel for mapping, local targets, etc. It works when docked so I knew it would be something that I could do without having to leave my current station. Unfortunately, the game refused to acknowledge the key press. I know that the key was working, however, because I could open the chat entry box and see a string of “1”s whenever I tapped the button on the Streamdeck. I tried full-screen window mode, and full-screen mode (since some games are picky about that kind of thing) but nothing changed. I even tried the 32bit non-Horizons enabled version to no avail.
Ideally, for use with Elite Dangerous, but with fewer assignments.
Figuring I’d try something else, I booted up Guild Wars 2 and rebound my “1” key to the “B” key which would open the RvRvR standings window. Again, no luck. Again, I tried adjusting the window mode and verified that the key was working by activating the chat box and hitting the button.
Since the Streamdeck is brand-spankin’ new at this point, and since Elgato doesn’t maintain a community forum, I had to descend into the depths of *shudder* Reddit to find the /r/elgatogaming subreddit. Thankfully there was a Streamdeck “megathread” where people were talking about it, and I saw at least two people claiming that they had done exactly what I was trying to do. I asked one poster if he/she did anything specific to get it to work, but haven’t seen any replies.
On a whim, I loaded up The Elder Scrolls Online to test with the original GW2 “B” key button, and amazingly, it worked. At this point, I don’t think I’d done anything differently between the GW2 test and the ESO test. At an earlier point, I suspected that there might be something running on my system that was hijacking the input from the Streamdeck software since I’d experienced something like this in the past with audio. I shut down anything that I thought might handle key input like Plays.tv, my Logitech keyboard and mouse software, and even Steam and it’s overlay, but the results had been the same. I read that the Streamdeck software should be run as Administrator in order to be able to send keys to another app, but that didn’t seem to help either.
As it stands, the Elgato Streamdeck is at the “confounding” level on the “love it or leave it” scale. I’m not going to say “disappointing” because I suspect that there’s something standing in the way of what I am doing and what I want it to do that may or may not have anything to do with the Streamdeck or software themselves. I can tell you, though, if I can get it to work then I’ll quickly upgrade my assessment to “spectacular” because it’s an excellent piece of hardware. If they release an SDK or expand their software beyond the narrow focus on streaming (which may never happen due to Elgato’s market segment), or if more apps adopted the input hooks for it (Hey, Discord!), then its value would skyrocket. I don’t know that I’d suggest that everyone go out and buy one and experience an input Nirvana because unless you’re a moderate to hardcore streamer or use apps like Photoshop that have a lot of keyboard shortcuts, it seems that the Streamdeck’s operations are limited and pretty “fragile” in that they’re easy to interrupt.
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Don’t let the title fool you: this is a topic I’ve been chasing for some time because it’s not as simple as it sounds. In fact, what I’m talking about here was only discovered by me due to random happenstance.
My goal has been to find a way to get myself and at least one other person to converse, to record that conversation, and then to split each person into their own audio track. You might recognize this as something relevant to podcasting, and you’d be right: that is the ultimate goal.
The problem, then, is that when talking about audio on a Windows PC, there’s the local user — the person on the mic who is controlling the recording software — and there is literally everyone else. Whether it’s using Skype or Discord or Teamspeak, Mumble, Ventrillo, or whatever, all of the rest of the participants are jumbled together into a single audio stream received by the person doing the recording.
In the worst case scenario, the remote participant(s) audio is merged with the local audio into a single track, meaning that when it comes time to edit, any cuts or filters are applied to everyone, no exceptions. That’s certainly passable, but really not optimal because having each person on his or her own track would allow for discreet person-by-person editing for volume, noise reduction, and dead-space filtering (et al).
So the other day I was trawling YouTube for videos on the Elgato Streamdeck setup when I came across a series by the silken-voiced EposVox who not only spoke about the Streamdeck, but also about OBS setup. In one video, he mentioned multiple audio sources which, if you’ve used OBS, is not something exciting. OBS allows for (at minimum) mic audio and desktop audio to be recorded alongside the video. While OBS is primarily used for streaming to Twitch/Beam/YouTube/etc., it can also be used to record local video and audio.
Now, I don’t know how some people do it. I suspect that a lof of folks might record video using OBS or something, muting the mic so that they can record their voice over using another app, like Audacity. That works to separate the video from the voice over but then requires the user to sync the voice with the video which can be unnerving if it’s even slightly out of sync. But thanks to EposVox, I know now that there’s a better way using OBS, an alternative audio output, a mic, and Audacity.
I’ll refer you to this video.
In a nutshell (if you skipped the video), OBS allows you to add additional audio inputs. You can then send each input to a different track, assuming you’re recording in anything other than FLV (so MOV, MKV, MP4, etc). What you get in the end is a file with multiple audio tracks, and depending on how you set it up, you might have a track with all audio, and then each input on a different track, or just each audio source on a different track. What you’re seeing is the same tech that allows DVDs to have different language tracks.
Of course, as you know, you can’t watch a DVD with several audio tracks playing at once, so it is with trying to get a hold of these multiple audio tracks. This threw me for a while because my video editing app doesn’t display all audio tracks, only the first one it encounters. Since I only want the audio anyway I learned that Audacity with the FFMPG codec can import the audio from a video file using the IMPORT > AUDIO option which allows me to then select the audio tracks from the file that I want to edit.
I ran some tests with the Esteemed Mindstrike as my guinea pig on the other side of Discord. For my set-up, I had OBS recording my Yeti mic for my voice, but I had to set Discord to output to the Yeti Headphone output. That my mic has it’s own audio output is the aforementioned happenstance, because otherwise, I’d need to go down the dark road of virtual audio cables to create a fake output and send Discord output to that. In OBS, I set up an audio source for the mic (which was already there), and an additional audio source for the Yei Headphone output. The benefit of this was that I could hook up the headset to the Yeti mic (duh) and listen and converse with Mindstrike like there was nothing weird going on. When OBS recorded, my mic audio recorded on one track, the Discord output on another, and had there been any desktop audio at the time, it would have recorded that on a third track (I turned off the multi-source channels for this test, just to be sure).
When I managed to get FFMPG installed with Audacity, I imported my test file audio and got this:
The top two waveforms are my mic, and the bottom two sourced from Discord. Magical! For an actual production run, I’d probably want to have OBS “downmix to mono” because there wouldn’t need to be a left and right channel for single-position voice; both the left and right output would simply source from the mono channel, leaving me with one waveform per track in Audacity, to keep things clean.
Now, the obvious problem is that in a multi-multi user situation — me at the desk, a bunch of people in a channel in Discord — I’m still only going to get two tracks: me, and everyone else. For my “intended purpose” though, this is exactly what I needed. I don’t know if it’s possible for apps like Discord to pick up, send, and deliver individual voices on individual tracks; I suspect that would be horribly bandwidth and CPU intensive, so, for now, I’m glad I stumbled across this, and that I have the hardware that just happens to support the exact situation that I wanted to enable.
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Yes, it’s 2017, and I am just now getting around to seriously considering getting rid of cable.
Since we switched to Fi and reduced our cellular bill by 3/4* I’m feeling how good it is to make a change that returns money to me. Cellular was easy, as these services are an anti-consumer racket. What’s less easy for my household is wiggling out from under the thumb of Big Cable.
While providers like Comcast will tell us that we have options in our area — like satellite — the honest truth is that it’s not really an option. We have three technology minded people in our house, so we need fast, reliable internet access. I’m sure DSL has come a long way since I’ve used it almost 15 years ago, but it’s built on top of an aging infrastructure and can’t possibly match what we get from coax and fiber. We also really don’t need a home phone line. The bogeyman regarding home phones is that without a landline, we lose E-911 service, although I would hope I’d have the presence of mind in a crisis to do everything in my power to ensure that emergency services find me at an address I verbally provide to them. What has actually been impeding our investigation into cutting the cable has been TV, though.
My hobby is PC based; my wife’s hobby is TV based. Thankfully, I can get to any website using any internet connection, but getting the TV channels that my wife wants to watch isn’t so simple. Every network and broadcast concern seems to want to have their own walled garden (lookin’ at we, CBS!) for a fee. Considering how many channels we might want from an a la carte package and the sum of the prices of each walled garden, our spend would probably add up to as much or even more than what we might pay for cable right now.
Of course, there are services which bundle the channels that make themselves available for such bundling. Sling, Playstation VUE, and now YouTube TV provide a wide selection of familiar faces — but none of them offer everything. For example, local affiliate stations are going to be difficult to come by since these streaming services source from the national feeds. A few of these services offer tiers; the higher the tier, the more channels we get, but we might also end up paying more for a single channel we really want, in addition to getting 10 more channels we’ll never watch (for us, that would be the bazillionty sports channels that seem to be the foundation of all of these services). Since no single service offers everything we might want, the decision needs to be made: suffer without, or subscribe to multiple services?
Subscribing to different services means that we’re looking at platform availability. Most everything is available for Android, iOS, and PC, which is nice but is hardly a set-it-and-forget-it solution that competes with the eggs-in-one-basket cable box. The second best option is a device like the Roku or (*shudder*) Apple or Fire TV. A lot of the services are available through gaming consoles, but there’s a lot of overhead in navigating a console, and as much as I’d be thrilled to do so, I don’t think my wife will agree to buy another Playstation or Xbox for each of the TVs we need to broadcast to. Finally, a Chromecast would work in a lot of situations, but when all you want to do is sit down and throw something on the TV, it’s not as convenient as a cable box when you need to bring out your phone, wait for it to connect, and then choose the supplier who has the content you want to watch.
So what’s the verdict so far? Apparently, PSVue seems to have the most channels we’re looking for, followed by YouTube TV. PSVue seems to work on Android, iOS, and PC, and of course, the Playstation, but also through the Roku, Amazon Fire, and Chromecast. YTTV works through Android, iOS, and PC, but beyond that, it only seems to work through Chromecast for TV broadcasting. Hopefully, that will change over time.
Then there’s the gravy. A lot of the broadcast services offer cloud-based DVR which is great as it allows you to record whatever, whenever, and watch it whereever you can access the service. This mean that when traveling in the US, we can take a Chromecast or Roku stick with us and have our familiar TV with us even in different broadcast markets. YouTube TV even offers Netflix-like sub-accounts so I could keep my DVR and favorites apart from my wife’s or my daughter’s.
At this stage, I’ve only been collecting information and haven’t yet actually tried any of these services. YouTube and PSVue have free trials, so I might take them up on those offers to see if we can live a month using those services — assuming we can find devices which work on the TVs we have. The kicker will be getting the family to remember to pick up the specific remote for the specific device to access the specific package which has the specific channels we want to watch when we want to watch them. It’s this scatter-shot distribution that is the biggest hurdle for cutting the cord for me, personally because while we might be able to replicate our preferred lineup, we have to span several services and possibly several devices in order to find what it is that we want in order to do it.
* At least for my wife and I. We still have to pay for our daughter’s line which is on the legacy carrier, but once the in-laws move off our legacy plan, our monthly bill will still be drastically reduced.
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